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New American Art Wing To Open This Weekend

October 21, 2016 Destination North America No Comments Email Email

The Jonathan and Karin Fielding Wing, a major addition to the American art galleries at The Huntington Library, Art Collections, and Botanical Gardens, will open to the public this Sat., Oct. 22, to reveal “Becoming America: Highlights from the Jonathan and Karin Fielding Collection,” an inaugural exhibition of more than 200 works of 18th- and early19th-century American art.


The 8,600 square-foot, $10.3 million addition to the Virginia Steele Scott Galleries of American Art was designed by Frederick Fisher and Partners and includes 5,000 square feet of gallery space with dramatic, colorful displays that showcase early American paintings, furniture, and works of decorative art—some of which are promised gifts to The Huntington—and offer visitors important insights into the history of American art practice.

“The collection, display, and contextualization of historical American art is among our chief priorities,” said Laura Skandera Trombley, president of The Huntington. “And the educational and inspirational value of the new wing is immeasurable. It brings to light unforgettable works made with American originality and is sure to delight and surprise visitors of all ages. We are profoundly grateful to Jonathan and Karin Fielding for their vision and generosity.”

Fielding Wing Architecture

Frederick Fisher and Partners, who also designed the Lois and Robert F. Erburu Gallery (a 2005 addition to the same building), developed the new Fielding Wing to feature eight new rooms for art display as well as a stately glass entrance and lobby on the south side of the building that mirrors those on the north side.

The new glassed-in lobby makes entering the galleries (that will total 26,000 square feet of display space) more intuitive and inviting. The new entry will draw visitors to the galleries naturally, with the lobby area serving as a beacon from a popular path that leads through the Shakespeare Garden from the Huntington Art Gallery, where the renowned European art collection is displayed. In addition, the new entry allows easy access to and from the historic Rose Garden Tea Room and the Patio Grill.

With this expansion of the Scott Galleries (the third since 2009), The Huntington becomes the home of one of the largest displays of historic American art in the Western United States.


“Becoming America”

“While the Fieldings have been collecting American art for a relatively short time, they have developed a focused and important body of historical works,” said Kevin Salatino, Hannah and Russel Kully Director of the Art Collections at The Huntington. “We have highlighted these in a creative installation that enhances their educational content as well as their powerful aesthetic qualities.”

With more than 700 examples of American painting, sculpture, furniture, ceramics, metal, needlework, and other related decorative arts, the Fieldings’ collection is widely regarded as one of the most significant of its kind in the United States. The installation of “Becoming America” is grouped variously by the function of the objects, the materials from which they are made, and through the themes that they embody.

In its rich diversity, the Fielding Collection offers a rare opportunity to explore early American history through objects made for daily use and through images of the everyday people who used them. Highlights of the collection include a rare painting on panel made about 1834 by Sheldon Peck (1797–1868) portraying Samuel and Eunice Judkins, residents of Ulster County, N.Y.; a striking portrait of a woman with a bowl of cherries, painted on panel about 1770 to 1780; a high chest of drawers made about 1774 by the Connecticut-based Eliphalet Chapin (1741–1807); a Windsor low-back settee with distinctive steam-bent arm rail made in Lancaster County, Pa., between 1760 and 1780; a rare pair of needlework pockets from about 1775, used by a woman to carry sewing implements and other items; and a Connecticut tall-case clock, with richly painted decoration and wooden works, signed by Riley Whiting (1785–1835) and made in Windsor, Conn., between 1819 and about 1828.

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